Iraqi artist Nazik Al-Malaika, celebrated as the first Arabic poet to write in free verse, didn’t reject traditional forms entirely; her poem “Elegy for a Woman of No Importance” consists of two ten-line stanzas and a standard number of syllables. Even in this superficially traditional work, blank Al-Malaika was breaking new ground by memorializing an anonymous woman rather than a famous man.
Which choice completes the text with the most logical transition?